cartwheelgalaxy:

Totally in love with the paintings by Kevin Earl Taylor.
(source)

227 notes

nevver:

Don’t bother with the local girls, Andrea Kowch

766 notes

darksilenceinsuburbia:

Maja Ruznic

From The Removal of Fingers and Other Body Parts


In this new work, I look at how the woman’s body has historically been used in war as a site to assert power through rape and a vehicle for inter-generational trauma.  Inspired by the writings of Julia Kristeva, I made paintings that explore the elements of war and violence that continue to ooze long after the violence has ended.  Kristeva defines the abject as something that provokes disgust, a human reaction to a threatened breakdown in meaning caused by the loss of the distinction between subject and object or between self and other.  Kristeva associates the abject with the eruption of the Real into our life—the Real being the materiality that shows us our own death.  Her writing creates an opening for me to look at how women who have been raped in war carry guilt and shame for the rest of their lives and continue to be degraded by their communities.  The figures in my narrative paintings are broken, defeated and dirty.  Some of the figures have missing limbs and it is difficult to differentiate between the victim and the aggressor.  I blur the line to show how in times of war, aggressors can become emotionally vacuous while before the war they were “healthy” men.  Traumatic events usually leave both individuals—the victims as well as the aggressors emotionally scarred.  Despite their embodied traumas, I have imbued these figures with a redemptive quality and given the abject within them a place to thrive.  (artist statement)

1. And She Carved Him Out Herself

2. Bath Time

3. On His Way

4. Accident

5. The Big Purge

Via

 

459 notes

Justin Mortimer

Mosque interiors

biomedicalephemera:

The human brain, its nervous projections, layers, and cortical blood vessels

Though we’re probably subconsciously aware of our brains on a day-to-day basis, most of us generally don’t pay much direct attention to them. Of course, lots can go wrong in the mind, resulting in mental illness, physical illness, and in the worst cases, death.

But aside from everything that can go wrong in the brain, did you know that the mind, despite being only 2% of the average body mass, uses almost 25% of the oxygen we consume, and over 70% of the glucose we ingest? It’s a tiny organ, but it manages almost everything outside of the parasympathetic nervous system, and it requires a relatively high energy input (especially compared to other organs in the body) just to function on a daily basis.

The cells in the brain require, on average, twice as much pure energy as other cells, just to function, and when you’re focusing hard on a big paper, or trying to brainstorm and be creative, your mind is in overdrive! Even if you haven’t moved in two hours, if you’re focusing hard on an essay and coming up with lots of great ideas, your lunch isn’t going to last long, with what your brain is demanding.

Since it’s not a muscle, and you’re not necessarily doing anything physical when you think, it can be hard to believe that the brain needs so much energy.

However, the cerebellum, and especially the frontal and prefrontal cortices (where our personality and “creative minds” exist, for the most part) demand more energy than our stomachs, livers, spleens, and kidneys combined! Depending on how your brain is wired, that fact can make it extremely exhausting to deal with other people, as you’re engaging your prefrontal cortex to a high degree. Thinking hard and being creative can sap your energy, too - that’s why I always had an apple or banana to eat midway through my morning courses!

Tabulae Anatomicae. Bartholomeo Eustachi, 1570 (Published 1783).

The Anatomy of the Brain, Explained in a Series of Engravings. Charles Bell, 1803.

2,415 notes